In Chinese art history, the horse has long symbolized vitality, speed, and the perseverance of the scholar-gentleman. Kwok Ti Hong reinvigorates this lineage
with Silent Thunder, a series that prioritizes emotional resonance over rigid realism. 

Kwok’s brush moves with the speed of his subjects. His ink is fluid, creating "ink shadows" that suggest musculature and mane without being bound by them. Whether rendered in stark monochrome or touched with subtle washes of blue and ochre, these creatures are alive. They embody a "Silent Thunder"—a latent power that seems ready to break free from the two-dimensional surface at any moment. This exhibition is an ode to freedom and the enduring power of the equine spirit. 

在中國藝術史上，馬一直是生命力、速度以及文人雅士堅毅精神的象徵。郭迪康透過《Silent Thunder · 墨影奔騰》系列，為這一傳統題材注入了全新的現代語彙，比起刻板的寫實，他更著重於情感的共鳴。 

郭迪康的筆法如其描繪的對象般疾速。他的運墨流暢淋漓，創造出的「墨影」暗示了馬匹的肌肉與鬃毛，卻不被其形體所束縛。無論是黑白分明的濃墨，還是點綴著藍彩與赭石的色調，這些生靈都躍然紙上。它們體現了一種「無聲之雷」—一種潛藏的、似乎隨時準備衝破二維紙面的力量。本展覽是對自由以及駿馬不朽精神的禮讚。